Ava Renn’s Lightning Child hits like a jolt of electricity — distorted guitars, raw vocals, and an emotional intensity that makes you sit up and take notice. From the opening track “Hands,” you’re pulled into a world of grief, power, and self-discovery, where every note feels both personal and larger-than-life. Renn has a knack for turning raw emotion into music that grabs you by the heart and won’t let go.
The album is full of contrasts that keep you on your toes. One minute you’re headbanging to the primal energy of “Dog Eyes,” the next you’re quietly soaking in the haunting reflection of “The Clearing.” Along the way, Renn moves through shoegaze, alt-pop, blues, and even hints of country, proving that she’s not just versatile — she’s fearless. There’s a fire and a delicacy to her work that makes every track unpredictable and compelling.
By the end of Lightning Child, you’re left exhilarated, reflective, and maybe even a little breathless. Ava Renn has delivered a debut that’s as cathartic as it is electrifying, blending heart, grit, and sonic experimentation into a package that demands attention. This isn’t just an album; it’s a full-blown artistic declaration that signals she’s a force to be reckoned with.