GHETTOTECHTROPOLIS, the daring new album from Detroit-based producer JMT, is a musical revolution. Blending R&B warmth with the raw pulse of Detroit electro, this project tears down genre boundaries and rebuilds them into something entirely new. You won’t hear music the same way after this.
Across 11 tracks, JMT refuses predictability. Rhythms twist and evolve—never linear, always alive. Melodies drift between soulful R&B, glitchy techno, cinematic soul, and global echoes. From the dance-driven opener Choreography to the dreamlike closer Laisse Moi T’aimer, the album invites listeners into a sound world that’s both unexpected and deeply intentional.
Lil Bootie slides in funk from Brazil, cleverly hidden beneath a hip-hop bounce. Laisse Moi T’aimer closes the project with an eerie, instrumental soul piece—almost film-score-like—yet still grounded in Detroit’s gritty sonic identity.
At the heart of it all is the standout single “Yes, I Can” featuring Daniel Hex—a hypnotic fusion of soulful vocals, futuristic effects, and GhettoTech urgency. It’s JMT’s vision in one track: bold, emotional, and unlike anything else. Welcome to GHETTOTECHTROPOLIS—where genres dissolve and something new is born. Dive into it now: