Irish singer-songwriter Harry Hudson Taylor takes a bold artistic turn with Dear You, It’s Me — a deeply introspective spoken-word piece that trades traditional structure for raw vulnerability. Best known as one half of the acclaimed folk duo Hudson Taylor, Harry’s solo work here marks a decisive shift into more experimental, personal territory.
Self-written, self-produced, and quietly cinematic, Dear You, It’s Me emerged from a private moment: a spontaneous journal entry penned during a café shift in Berlin, soundtracked by ambient hip-hop beats playing overhead. The result is not a conventional track but rather an open letter — part self-soothing mantra, part universal mirror — delivered in the artist’s calm, assured voice.
“There was no plan,” Harry explains in accompanying press material. “It started as something I needed to hear. And I figured, maybe someone else needed it too.”
Indeed, the track’s power lies in its disarming honesty. Set against minimal production — delicate textures, subtle rhythms — the words are allowed to breathe. Dear You, It’s Me unfolds like a monologue from a wiser self, offering space, compassion, and the rare permission to pause. Dive into it: